In Search of My Other Half (2026) Painting by Dags Vidulejs Original Oil on Linen Canvas, 110x150 cm Shipping included Seller Dags Vidulejs Standard delivery | Prefer Express? Shipping from: Latvia (Box or cardboard packaging) Ships within 2 days 14-day return policy Shipping worldwide 100% secure transaction Free Returns Shipping Warantee Payment Returns Shipped by the seller: The shipping of this artwork is handled directly by the seller. More info One of a kind Artwork signed by the artist Certificate of Authenticity included Ready to hang This artwork appears in 8 collections Original Artwork (One Of A Kind) Painting, Oil / Acrylic / Lacquer on Linen Canvas Dimensions Height 110cm, Width 150cm Artwork's condition The artwork is in perfect condition Framing This artwork is not framed Categories Paintings under €2,000 Conceptual Art Science fiction In Search of My Other Half oil/linen canvas (2026) 150x110cm Ⓒ Dags Vidulejs Sketch of 2026 for exhibition DIVINE COMMEDY od Dante & Dags According to the impressions of the premiere of Antonin Dvorak’s opera “Mermaid” Mermaid is a mythological creature that lives in water. In art, she is depicted as a beautiful woman with a fish tail. Father, the poet Valdis Rūja, worked as the director of the Opera House. That is why the first memories of childhood are about the magic of theater. Red velvet chairs you can’t climb on, the director’s lodge edging, sniffing and bubbling in the auditorium waiting for a call. The abyss of an orchestra pit with a rumble, long beautiful legs in ballet puantes on the toes, and a skirt like an umbrella and bottoms from below, a rubbed plank floor in the exercise room behind the piano, a buffet staircase to the basement and a standing table with delicacies. As well as the live all night opera fountain Nāra, who seduces on the black canal in the moonlight, after the show, going home through the parks to Zaubes Street, with her big dad at hand. In 2008, after the premiere of Dvořák’s opera “NĀRA”, an ink drawing was made in the most beautiful park in Riga, sitting on a block of watercolor paper until morning. Sitting in a warm grass, where you could find fragrant lace linen among the flowers. From the nightclubs of Old Riga, the girls who were still completely free at night lured the lilac bushes of the park in Riga to the much intoxicated seekers of the northern lands. However, the fountains and Dvořák’s Mermaid have turned the girl into magical fairies and mermaids, who lure stray romantics with love hearts to the canal to the redeeming heart and forgetfulness to Mermaid’s embrace. During the mystical curfew of 2021, when not coming home, past police punishment patrols, spending the night under the park’s long willow hair, glistening in the blue emerald light, under the Basteja canal bridge, the Mermaid and the Beaver roared again seeing mosquitoes and wiggles. «In 2022, after a catastrophic change in the system of government, after the start of the war, global freezing, rising radiation levels, violent restrictions on human rights, strange things began. According to eyewitness accounts from the canals, rivers, fountains and wells, strangely charming virgins have begun to appear. Who have seduced lonely thinkers who have sought refuge from their harassing absences. Many missing people appeared in the press. There is no reliable information about whether it was possible to move to another dimension through these water portal portals. The stalemate in the development of civilization forced people to be amphibious creatures. For amphibians living both on land and in water. If you are sitting on the edge of a pond, your feet are not visible. And the gills open easily. And it was a long time before people closed their gills. Not to take for granted, but to talk to the body and think in action.» About this artwork: Classification, Techniques & Styles Oil Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger. Acrylic Paint using traditional pigments mixed with synthetic resins. Lacquer Paint made with a resin from tree sap, various shrubs or with lacquer paints based on thermosetting resins. The technique consists in superimposing layers of lacquers with a vigorous polishing between each layer. It is mostly smooth shiny, but can sometimes also be satin or very Matt. Technic Painting Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on supports such as paper, rock, canvas, wood, bark, glass, concrete and many other substrates. Work of representation or invention, painting can be naturalistic and figurative, or abstract. It can have narrative, descriptive, symbolic, spiritual, or philosophical content.

A dense field of pink, nude figures fills the canvas from edge to edge, their bodies compressed into vertical bands of shoulders, torsos, arms, and breasts. Small, pale faces surface between the overlapping forms, outlined in fine red lines, while bright blue gaps cut through the composition and intensify the contrast. The painting is tightly packed and rhythmic, with repeated curves and cropped figures creating a vivid, crowded surface. NEW EXHIBITION FOR RIGA CITIZENS in the colossal premises of MC2 at Krasta Street 68A. ”DIVINE COMEDY II.” ©️Dante & Dags Movement consultants: Tango champion KARINA LILU and NINA KONDRATYEVA/ Tango Club VILLA MARTA Entrance to the Exhibition Free from March 23 to April 23, 2025 Opening Hours: Sunday 10:30–17 Monday 10:30–19:30 Tuesday 10:30–19:30 Wednesday 10:30–19:30 Thursday 10:30–19:30 Friday 10:30–19:30 Saturday 10:30–19:30 Painting Exhibition PRIMUM MOBILE II for the most sophisticated audience in Riga. Visiting the monumental exhibition of paintings by Dags Vidulejs. Added value is that DECORUM MC2, the world's finest interior design trends and delicatessen exhibition and sale, is also located in the same wonderful building. Who wants to surprise their women, mothers, sisters, daughters, wives and beloveds… MC2 will teach you such subtleties that after your gifts all women will “be dumbfounded” Purchase, Delivery, Rental of Paintings for Room Decoration If you want to meet the author of MC2 with questions, the collection of paintings of the Traveling Project DIVINE COMEDY also in YOUR SPACES: Museum, Gallery, Public Institutions Exhibition “Primum mobile” Painter Dags Vidulejs’ works for the exhibition “Primum mobile” were created, inspired by the monumental poem “Divine Comedy” by the Italian poet and philosopher Dante Alighieri. “Divine Comedy” Dante dedicated the third part of “Divine Comedy” “Paradise” to his patron – Mr. Cangrande della Scala. In a letter, Dante writes to him: “We can say briefly that the purpose of the entire work and (the third) part is to lift those living in this life out of misery and lead them to bliss. (..) Both the part and the work as a whole are designed for practice, not theory.” Interpretation of Dags Vidulejs Responding to the most important thing that interested him in Dante’s text, painter Dags Vidulejs reveals: “Dante includes his experience, what he has experienced in 100 cantos – in the light of Love, Faith and Hope. In the form of poetry, he outlines a vision of how space, environment, and sectors of the universe through which Dante travels change as his consciousness changes. Gaining experience, changing his attitude, after performing heroic, altruistic, and love-dictated actions, Dante becomes more sighted, he begins to see the Heavens open.” Social context In the socio-political context of recent years, we have become acutely aware of the darkest aspects of existence. The artist’s efforts to interpret Dante’s depictions of the origin of Time and Space (Primum mobile) in painting and to involve us on the path of truth discovery (the path that leads away from misery) currently seem to be very important – both for all of us as a society and for each individual. Dags Vidulejs tirelessly sets himself new tasks in his creative searches. His sensitive nature, cultivated intuition, and rich imagination help him on this path. Exhibition opening Exhibition opening at the Jurmala Museum:

DISONANCE. c(2025) Daga glezna Audekls, akrils, eļļa. 150 x 200 cm - €4500 Izstāde “Primum mobile” Gleznotāja Daga Viduleja darbi izstādei “Primum mobile” tika radīti, iedvesmojoties no itāļu dzejnieka un filozofa Dantes Aligjēri monumentālā poēmas “Dievišķā komēdija”. “Dievišķā komēdija” Dante veltīja “Dievišķās komēdijas” trešo daļu “Paradīze” savam patronam – Kangrande della Skalas kungam. Vēstulē Dante viņam raksta: “Īsumā varam teikt, ka visa darba un (trešās) daļas mērķis ir pacelt tos, kas dzīvo šajā dzīvē, no ciešanām un vest viņus uz svētlaimi. (..) Gan daļa, gan darbs kopumā ir paredzēti praksei, nevis teorijai.” Daga Viduleja interpretācija Atbildot uz svarīgāko, kas viņu interesēja Dantes tekstā, gleznotājs Dags Vidulejs atklāj: “Dante savu pieredzi, piedzīvoto ietver 100 dziedājumos – Mīlestības, Ticības un Cerības gaismā. Dzejas formā viņš ieskicē vīziju par to, kā mainās telpa, vide un Visuma sektori, caur kuriem Dante ceļo, mainoties viņa apziņai. Gūstot pieredzi, mainot savu attieksmi, pēc varonīgu, altruistisku un mīlestības diktētu darbību veikšanas Dante kļūst redzīgāks, viņš sāk saskatīt Debesis atvērtas.” Sociālais konteksts Pēdējo gadu sociāli politiskajā kontekstā esam asi apzinājušies eksistences tumšākos aspektus. Mākslinieka centieni interpretēt Dantes laika un telpas izcelsmes (Primum mobile) attēlojumus glezniecībā un iesaistīt mūs patiesības atklāšanas ceļā (ceļā, kas ved prom no ciešanām) šobrīd šķiet ļoti svarīgi – gan mums visiem kā sabiedrībai, gan katram indivīdam. Dags Vidulejs savos radošajos meklējumos nenogurstoši izvirza sev jaunus uzdevumus. Šajā ceļā viņam palīdz viņa jūtīgā daba, izkoptā intuīcija un bagātīgā iztēle. Izstādes atklāšana Izstādes atklāšana Jūrmalas muzejā: * Datums: 2025. gada 23. janvāris - 23. februāris Par šo mākslas darbu: klasifikācija, tehnikas un stili Akrils Krāsošana, izmantojot tradicionālos pigmentus, kas sajaukti ar sintētiskajiem sveķiem. Tinte Stipri ietonēts šķidrums vai pasta, ko izmanto papīra vai citu drukājamu materiālu marķēšanai. Dizains tiek veidots manuāli, izmantojot plāksni, spalvu, otu vai taisnotāju. Eļļa Krāsa, kas sastāv no pigmentiem, kas saistīti ar linsēklu eļļu vai neļķēm. Tradicionālā tehnika sastāv no arvien vairāk eļļas saturošu krāsas slāņu uzklāšanas, lai iegūtu stabilu un izturīgu pārklājumu. Tehniskā krāsošana Glezniecība ir mākslas veids, kurā glezno uz virsmas, estētiski uzklājot krāsainus šķidrumus. Gleznotāji pauž ļoti personisku izpausmi uz tādiem materiāliem kā papīrs, akmens, audekls, koks, miza, stikls, betons un daudzi citi materiāli. Glezniecība, kas ir attēlojoša vai izgudrojoša, var būt naturālistiska un figurāla vai abstrakta. Tai var būt naratīvs, aprakstošs, simbolisks, garīgs vai filozofisks saturs. A dense crowd of simplified busts fills the canvas from edge to edge, their rounded heads and faceless profiles rising in layered rows. Electric blues, violets, pinks, yellows, and reds are brushed and dripped across the figures, while dark outlines and translucent washes keep each silhouette distinct. The surface feels restless and crowded, with color pooling, streaking, and overlapping in a vivid acrylic-oil composition by Dags Vidulejs. DISSONANCE. (2025) Painting by Dags Canvas, acrylic, oil. 150 x 200 cm Exhibition “Primum mobile” Painter Dags Vidulejs’ works for the exhibition “Primum mobile” were created, inspired by the monumental poem “Divine Comedy” by the Italian poet and philosopher Dante Alighieri. “Divine Comedy” Dante dedicated the third part of “Divine Comedy” “Paradise” to his patron – Mr. Cangrande della Scala. In a letter, Dante writes to him: “We can say briefly that the purpose of the entire work and (the third) part is to lift those living in this life out of misery and lead them to bliss. (..) Both the part and the work as a whole are designed for practice, not theory.” Interpretation of Dags Vidulejs Responding to the most important thing that interested him in Dante’s text, painter Dags Vidulejs reveals: “Dante includes his experience, what he has experienced in 100 cantos – in the light of Love, Faith and Hope. In the form of poetry, he outlines a vision of how space, environment, and sectors of the universe through which Dante travels change as his consciousness changes. Gaining experience, changing his attitude, after performing heroic, altruistic, and love-dictated actions, Dante becomes more sighted, he begins to see the Heavens open.” Social context In the socio-political context of recent years, we have become acutely aware of the darkest aspects of existence. The artist’s efforts to interpret Dante’s depictions of the origin of Time and Space (Primum mobile) in painting and to involve us on the path of truth discovery (the path that leads away from misery) currently seem to be very important – both for all of us as a society and for each individual. Dags Vidulejs tirelessly sets himself new tasks in his creative searches. His sensitive nature, cultivated intuition, and rich imagination help him on this path. Exhibition opening Exhibition opening at the Jurmala Museum

In my work I professionally study fears. Why do you, Dags, study fears? DIGESTED FEAR IN A FREE STROKE AND IN A FREE LINE. I paint only when I see an idea how to respond to the hum of time. My painting is a response cry to the pressure of world bankers. The curtailment of human freedoms by tightening the reforms of the financial system acts on people like a slow but constant tightening of a noose around their necks. Behind the world upheavals in the mass media, in fact, there is a quiet subjugation of the human spirit. Ingeniously cunningly shocking news and censorship for 4 years there has been no discussion and attacks on the true players who are at war with humanity and with each of us personally. We do not see them, because they are not a country and not a political force. It is like GOD, we do not see, but we feel his power, when from panic fear, the blood in a person's veins curdles. Without understanding who the lethal enemy and invisible killer and blackmailer is who has captured your children for castration and your close parents for forced euthanasia. All revolutionary reforms in the world are not happening at the request of humanity, not according to human needs. Day after day, not allowing to get blown away and publicly paralyzing by stating problems, putting forward their targeted plans. Everything is going its own way, like a movie script. It seems logical. Terrorist pretexts are created for tightening measures. Pretexts and staged crises are created for the abolition of rights and freedoms. The best scriptwriters from the burnt Hollywood, now composing a sequence in the central world media. For the reform of the monetary system and the transfer of the value system itself. Which, since the introduction of money, was subordinated to mutually beneficial exchange. That is, in money, a service was valued according to the needs and desires of a human being. Now a centered assessment system is being introduced. Like a grading system at school. Those who think and work for the benefit of the families of trillions of central bankers. For their obedience, they will allocate a night's lodging and food for the day, until the next verification of statements. If there is no obedience, there will be no dose of food and warmth of lodging. The same as with animals in a farm behind bars in one square meter. Oriģināls mākslas darbs (unikāls) Glezna, akrils / eļļa uz audekla Izmēri Augstums 200 cm, Platums 300 cm Mākslas darba stāvoklis Mākslas darbs ir ideālā stāvoklī Ierāmēšana Šis mākslas darbs nav ierāmēts Kategorijas Gleznas zem 10 000 eiro Ekspresionisms Mitoloģija Savā darbā es profesionāli pētu bailes. Kāpēc tu, Dags, pētāt bailes? SAGREMOTAS BAILES BRĪVĀ VILIENĀ UN BRĪVĀ LĪNIJĀ. Es gleznoju tikai tad, kad redzu ideju, kā reaģēt uz laika dūkoņu. Mana glezniecība ir atbildes sauciens uz pasaules baņķieru spiedienu. Cilvēku brīvību ierobežošana, pastiprinot finanšu sistēmas reformas, iedarbojas uz cilvēkiem kā lēna, bet pastāvīga cilpas savilkšana ap kaklu. Aiz pasaules satricinājumiem plašsaziņas līdzekļos patiesībā slēpjas klusa cilvēka gara pakļaušana. Ģeniāli viltīgi šokējošas ziņas un cenzūra 4 gadus nav bijušas nekādas diskusijas un uzbrukumi patiesajiem spēlētājiem, kas karo ar cilvēci un ar katru no mums personīgi. Mēs viņus neredzam, jo ​​viņi nav valsts un nav politisks spēks. Tas ir kā DIEVS, mēs neredzam, bet jūtam Viņa spēku, kad no paniskām bailēm cilvēka vēnās asinis sastingst. Nesaprotot, kas ir nāvējošais ienaidnieks un neredzamais slepkava un šantažētājs, kurš ir sagūstījis jūsu bērnus kastrācijai un jūsu tuvākos vecākus piespiedu eitanāzijai. Visas revolucionārās reformas pasaulē nenotiek pēc cilvēces lūguma, nevis atbilstoši cilvēku vajadzībām. Dienu no dienas, neļaujot padoties un publiski paralizējot, norādot uz problēmām, izvirzot savus mērķtiecīgos plānus. Viss notiek savu gaitu, kā filmas scenārijā. Tas šķiet loģiski. Tiek radīti teroristiski iegansti stingrāku pasākumu veikšanai. Tiek radīti iegansti un iestudētas krīzes tiesību un brīvību atcelšanai. Labākie scenāristi no nodegušās Holivudas tagad komponē secību centrālajos pasaules medijos. Monetārās sistēmas reformai un pašas vērtību sistēmas nodošanai. Kas kopš naudas ieviešanas bija pakārtota abpusēji izdevīgai apmaiņai. Tas ir, naudā pakalpojums tika novērtēts atbilstoši cilvēka vajadzībām un vēlmēm. Tagad tiek ieviesta centrēta vērtēšanas sistēma. Tāpat kā vērtēšanas sistēma skolā. Tie, kas domā un strādā triljonu centrālo baņķieru ģimeņu labā. Par paklausību viņi piešķirs naktsmājas un ēdienu visai dienai līdz nākamajai liecību pārbaudei. Ja nebūs paklausības, nebūs arī ēdiena devas un siltas mājvietas. Tāpat kā ar dzīvniekiem fermā aiz restēm viena kvadrātmetra platībā. Par šo mākslas darbu: klasifikācija, tehnikas un stili Akrils Krāsošana, izmantojot tradicionālos pigmentus, kas sajaukti ar sintētiskajiem sveķiem. Eļļa Krāsa, kas sastāv no pigmentiem, kas saistīti ar linsēklu eļļu vai neļķēm. Tradicionālā tehnika sastāv no arvien vairāk eļļas saturošu krāsas slāņu uzklāšanas, lai iegūtu stabilu un izturīgu pārklājumu. Tehniskā krāsošana Glezniecība ir mākslas veids, kurā glezno uz virsmas, estētiski uzklājot krāsainus šķidrumus. Gleznotāji pauž ļoti personisku izpausmi uz tādiem materiāliem kā papīrs, akmens, audekls, koks, miza, stikls, betons un daudzi citi materiāli. Glezniecība, kas ir attēlojoša vai izgudrojoša, var būt naturālistiska un figurāla vai abstrakta. Tai var būt naratīvs, aprakstošs, simbolisks, garīgs vai filozofisks saturs.