Broad horizontal bands of red, coral, violet, and blue sweep across the canvas in layered, wave-like curves. Thin electric-blue lines trace the contours, while areas of translucent paint, rough texture, and softened edges create depth and movement. The oil on canvas format, 110 x 150 cm, suits the work’s wide, flowing composition. Fond marin. Le fond de la mer. 110x150cm huile/toile Dags Vidlejs ⓒ Dags

This large painting shows a dense crowd of simplified human figures packed edge to edge, their heads and shoulders outlined in thin lines and washed in blue, violet, pink, and hints of ochre. Raised arms and overlapping profiles create a restless surface, while translucent layers, drips, and scratches reveal a textured, mixed acrylic build. The composition fills the 140 x 110 cm format from side to side. Dags Vidulejs ArtPieces. CARNEVAL 140x110 cm

This painting is packed edge to edge with intertwined nude figures reclining, stretching, and turning in a dense sunbathing tangle. Flesh tones in peach and rose are cut with bright blue contour marks and white highlights, while the gold-leaf ground flickers between bodies. Executed in acrylic, oil, and gold leaf on linen canvas, it is signed “Dags 24” at the lower right. Nude Beach Lovers in Munich's English Garden. Dags©️2024 June 2024/ 92x120cm/ acrylic/ oil/ gold leaves/ linen canvas/ wooden wedge frame Sunbathing Decline in Nudism=Decline in Tourism from the show-us-your-tits dept. MANY Germans still love to bask naked on the beaches of Spain and France but at home, long the land of the all-over tan, the nudist movement is in decline. For almost a century, German sunworshippers have been known to rip off their clothes at the first sighting of the country’s all-too-rare summer rays. Especially since the carefree 1970s, naturists, unencumbered by clothing and their parents’ prudish mores, have frolicked in the buff on beaches, lakes and in city parks. The trend was especially popular in the former communist East Germany, whose people celebrated it as a rare expression of personal liberty in an otherwise highly oppressive society. But times are changing for the movement known in German simply as “FKK”, short for Frei-Koerper-Kultur or “free body culture”. “Society is changing,” laments Kurt Fischer, president of the German Federation of Naturist Clubs (DFK). The energetic septuagenarian has been counting membership forms and says total numbers for Germany’s 145 clubs have fallen two per cent a year to about 40,000.
 The Munich's English Garden park director: -"A decline in nude sunbathing in Munich’s English Garden is resulting in a serious decline in tourism to the city. Society has become more cautious. You don't see so many attractive young Munich girls anymore. I hope they come back." said the park director, remember that in real life, naked people are ugly , the only place where you can see attractive naked people is unfortunately only art and pornography. Because the beautiful tanned bodies of nudists are seen less and less in Munich, as well as everywhere else on the beaches of the world. Because only people who take special care of their body's healthy and aesthetically perfect shape are ready to sunbathe naked. Nude beach lover: -"I think what nude recreation/nudism whatever you call it teaches us: it is what’s inside the person’s heart that counts. It seems to me that many people who get into nude recreation in a major way tend to allow their beautiful and ugly sides of their persona alike to shine. I’ve been into nudism for the last 11 years now, and I think young people who bought into the propaganda of it being exclusively harmless fun activity and got hurt by some very sick-minded people who abused its liberties have decided to turn their backs on it. No person is 100% righteous or saintly".

Il ne reste plus que l'EUROPE, c'est à nouveau la Révolution française ! Esquisse pour une peinture conceptuelle à grande échelle. 110x150cm L'éducation et l'esprit de liberté de la société française ont toujours été l'espoir de la société mondiale. Le tableau est dédié aux étudiants français qui, tout au long de l’année 2020-2022, n’ont eu peur ni des punitions ni des bâtons et ont défendu leurs droits humains. Cela a mis en lumière la vérité sur les politiciens corrompus. Qui, soudoyés par les grandes sociétés financières, étaient prêts à introduire des couvre-feux et des confinements, paralysant ainsi la nation comme dans les années 1940-1945. Les manifestations et grèves françaises ne l'ont pas permis et ont mis en lumière la fausse plandémie et ont sauvé la société. Même si la presse européenne n'a pas couvert les événements de Paris, des gens courageux sont également allés de Lettonie en France, couvrant les combats de rue de manière arbitraire sur les réseaux sociaux. Un tableau dédié à ces aigles français héroïques. Ce n’est pas RED BULL qui lève les ailes, mais les idéaux de la révolution éternelle française. A l’heure où les gouvernements corrompus se noient sous les mensonges et se dirigent vers le barrage !!! About this artwork: Classification, Techniques & Styles Oil Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger. Figurative Figurative and colorful painting having taken the liberty of including all forms of art without border of cultural genre and geographic origin, without hierarchy of values between high and subculture. Technic Painting Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on supports such as paper, rock, canvas, wood, bark, glass, concrete and many other substrates. Work of representation or invention, painting can be naturalistic and figurative, or abstract. It can have narrative, descriptive, symbolic, spiritual, or philosophical content.

This ink and wash sketch shows a tango couple locked in a close embrace, the man viewed from behind as he lifts and anchors the woman in a compact, turning pose. Loose black lines define their bodies, while translucent gray washes build the folds of clothing and the depth of the scene. Faint Paris landmarks and street details dissolve into the background, leaving the dancers sharply centered. A crowded tango scene fills the canvas in warm sepia and beige tones, drawn with crisp black lines and soft shaded modeling. Couples overlap in a tight spiral of torsos, arms, hats, and close-set faces, while a large pair at the right anchors the composition in a cheek-to-cheek embrace. The brushwork leaves the figures luminous against the pale ground, giving the painting a dense, rhythmic pulse.