"FLY of VALKYRIES». 2021 110x160 cm acrylic, ink / linen canvas Dags Vidulejs ⓒ www.Dags.lv WIKIPEDIA: Ragnaroka is a war between two incompatible mutually exclusive ways of life. Ragnaroka‘s time is the destruction of the world and the last battle, defending the basic law of the world, from which all other consequences follow. In Ragnaroka, cult of family defenders , the Valkyrie, Axes under Odin’s army have to fight the fire giants, the jotuns and the various servants of the Loki androgyn cult. In the battles Valkyrie, the bravest fighters against the androgyn cult are selected and taken to Valhalla. Einherias and Valkyries live in Valhalla. Every morning the Einherias go to the Idavelas field to fight on the side of Odin’s army. In the evening, they are revived by Valkyries Hilda.   The men, too intoxicated with power, formed a secret cult for the exercise of unlimited power. Using unusual mind and foresight, the cult was led by Loki, able to change his appearance and gender and to be both men and women, and to become animals in secret rituals. Women, mothers and children, became completely foreign to them. Driven by cult leaders Loki, men began to destroy their families, and nations by donating their own children and parents to the cult.   Women no longer gave cult men love and children while remaining virgins. Virgo Brunhilde, Sigruna, Skulda. Valkyries are immortal and invulnerable as long as virgins remain. Einherias are men who remained faithful to the cult of the family, worshiping the female body, for the child to enter this  Gaia world through the womb. As the cult of science, wealth, and influence grew, so did the plans to make entry for this world without a woman’s womb. Cult men learned to do without women by sharing relationship roles with each other and raising cult Androgyny children in incubators.   In the beginning, the cult had to counter its power until the war broke out in Ragnaroka. However, after the war, two distinct coexisting cultures, family village communities and urban states emerged. Wikipedia does not mention "how". However, it is only known that the two incompatible forms of life strengthened territorial or legal sovereignty.   In Iceland, Scandinavia around the Baltic Sea and in the outermost regions, this tradition of understanding the Gæa world has been maintained to this day. In other regions, women who fight against the male cult of the absolut power state are called witches, amazons fairies, naturopath, pseudoscience sponges.

Oriģināls mākslas darbs (unikāls) Glezna, eļļa / laka uz audekla Izmēri Augstums 200 cm, Platums 150 cm Mākslas darba stāvoklis Mākslas darbs ir ideālā stāvoklī Ierāmēšana Šis mākslas darbs nav ierāmēts Kategorijas Gleznas zem 5000 eiro Kopsavilkums Deja Izstāde “Primum mobile” Gleznotāja Dāga Viduleja darbi izstādei “Primum mobile” tika radīti, iedvesmojoties no itāļu dzejnieka un filozofa Dantes Aligjēri monumentālā poēmas “Dievišķā komēdija”. “Dievišķās komēdijas” trešo daļu “Paradīze” Dante veltīja savam patronam – Kangrande della Skalas kungam. Vēstulē viņam Dante raksta: “Īsumā varam teikt, ka visa darba un (trešās) daļas mērķis ir pacelt tos, kas dzīvo šajā dzīvē, no ciešanām un vest viņus uz svētlaimi. (..) Gan daļa, gan darbs kopumā ir paredzēti praksei, nevis teorijai.” Daga Viduleja interpretācija Atbildot uz svarīgāko, kas viņu interesēja Dantes tekstā, gleznotājs Dags Vidulejs atklāj: “Dante savu pieredzi, piedzīvoto ietver 100 dziedājumos – Mīlestības, Ticības un Cerības gaismā. Dzejas formā viņš ieskicē vīziju par to, kā mainās telpa, vide un Visuma sektori, caur kuriem Dante ceļo, mainoties viņa apziņai. Gūstot pieredzi, mainot savu attieksmi, pēc varonīgu, altruistisku un mīlestības diktētu darbību veikšanas Dante kļūst redzīgāks, viņš sāk saskatīt Debesis atvērtas.” Sociālais konteksts Pēdējo gadu sociāli politiskajā kontekstā esam asi apzinājušies eksistences tumšākos aspektus. Mākslinieka centieni interpretēt Dantes laika un telpas izcelsmes (Primum mobile) attēlojumus glezniecībā un iesaistīt mūs patiesības atklāšanas ceļā (ceļā, kas ved prom no ciešanām) šobrīd šķiet ļoti svarīgi – gan mums visiem kā sabiedrībai, gan katram indivīdam. Dags Vidulejs savos radošajos meklējumos nenogurstoši izvirza sev jaunus uzdevumus. Šajā ceļā viņam palīdz viņa jūtīgā daba, izkoptā intuīcija un bagātīgā iztēle. Izstādes atklāšana Izstādes atklāšana Jūrmalas muzejā: * Datums: 2025. gada 23. janvāris - 23. februāris Par šo mākslas darbu: klasifikācija, tehnikas un stili Eļļa Krāsa, kas sastāv no pigmentiem, kas saistīti ar linsēklu eļļu vai neļķēm. Tradicionālā tehnika sastāv no arvien vairāk eļļas saturošu krāsas slāņu uzklāšanas, lai iegūtu stabilu un izturīgu pārklājumu. Laka Krāsa, kas izgatavota no koku sulas, dažādu krūmu sveķiem vai ar lakām, kuru pamatā ir termoreaktīvi sveķi. Tehnika sastāv no laku slāņu uzklāšanas ar intensīvu pulēšanu starp katru kārtu. Tā pārsvarā ir gluda, spīdīga, bet dažreiz var būt arī satīna vai ļoti matēta. Tehniskā krāsošana Glezniecība ir mākslas veids, kurā glezno uz virsmas, estētiski uzklājot krāsainus šķidrumus. Gleznotāji pauž ļoti personisku izpausmi uz tādiem materiāliem kā papīrs, akmens, audekls, koks, miza, stikls, betons un daudzi citi materiāli. Glezniecība, kas ir attēlojoša vai izgudrojoša, var būt naturālistiska un figurāla vai abstrakta. Tai var būt naratīvs, aprakstošs, simbolisks, garīgs vai filozofisks saturs.

Dags Vidulejs ⓒ "Society" oil/cancas 210x140cm 2005 “PEOPLE TRAFFIC”- The overarching theme of Dags' Vidulejs creative work is the confrontation of the representation structures of the society formations. And the counter-argument of the individual's private existence to the political religious corporate society. “PEOPLE TRAFFIC” Nowadays, volunteer slavery flourishes is a migration. Theme of the Dags Vidulejs exhibition is migration as the 21st century slave trade and the unworthy depreciation of the Divine Spirit of man. Travaillant sur le thème de la structuration des sous-cultures de la société, Dags Vidulejs collectionne depuis des années des croquis, créant des compositions grand format avec des peintures à l'huile. Selon la technologie classique, collage de toile de lin avec des feuilles d'or et vernissage avec du vernis Damara. On organizing Dag's exhibitions. For purchase of paintings, ink drawings or replicas, please, contact ART MAJEUR or Dags. There is a lot of professional work there: painting a passport to non-European countries, customs brokerage, insurance, bank transfer, tax clearance, author's original certificate with gallery and expert approval, packaging, transport service. framing services, Sophisticated Professional Experienced Interior Designer Services. Offers to host a guest exhibition at your institution, too, custom portraits, nude model and wall paintings in the interior. Sincerely, Dags VIDULEJS +37129595885 This work is a unique original work of art - Painting by Dags Vidulejs (Latvia), Oil on Linen Canvas. The work has a square shape, Its dimensions are 150x140 cm. The artist's signature is present on the artwork. This artwork is part of the gallery Structures of Society “PEOPLE TRAFFIC” by Dags. Framing options are available for this artwork, please contact us for details.

This ink and wash sketch shows a tango couple locked in a close embrace, the man viewed from behind as he lifts and anchors the woman in a compact, turning pose. Loose black lines define their bodies, while translucent gray washes build the folds of clothing and the depth of the scene. Faint Paris landmarks and street details dissolve into the background, leaving the dancers sharply centered. A crowded tango scene fills the canvas in warm sepia and beige tones, drawn with crisp black lines and soft shaded modeling. Couples overlap in a tight spiral of torsos, arms, hats, and close-set faces, while a large pair at the right anchors the composition in a cheek-to-cheek embrace. The brushwork leaves the figures luminous against the pale ground, giving the painting a dense, rhythmic pulse.

“Super Heros Phantoms” 90x65cm 2022 (oil-canvas) www.Dags.lv I will cling again to "Superhero and his clones". Man and his phantoms. Besides the model, you can also paint, work cleanly in color. Interesting "crossboard" - so many portraits to solve. Try to reach in one tonal space. What do we encounter every day? The real man, or his phantoms? When we call on the phone, does the phantom answer? And the real one, maybe, doesn't even know we called him. Why don't real people meet at mass events? Probably, cheaper for reality, to heal thousands of phantom people. As in mass filming, the director uses cheap statistics. It is unfortunate that there is still a state of emergency in Latvia. Although the whole of Riga can be heard through the window. Viruses are not caught in demonstrations, it is only not allowed if you want to enter the paint shop. The painting presents a tight mosaic of many painted male heads, packed edge to edge against a flat turquoise background. Faces overlap in layered rows, with gray, blond, and auburn hair, beards, and mustaches rendered in warm ochres, pinks, and muted blues. Brushstrokes stay visible, giving the clustered portraits a rough, graphic immediacy. The artist’s signature and date appear at the upper left. CULT OF SUPERHEROES MPS CLONED IN THE INTERESTS OF A POLITICAL PARTY SPONSOR